Where to Start With the Booker Prize 2026 Longlist
Thirteen novels, one shortlist in September, and not enough evenings. Here is what each book on the Booker 2026 longlist actually is, and which one I would open first.
What to Read Before Nolan’s Odyssey
You have a ticket and not much time. Here is what I would actually read before Nolan's Odyssey, sorted by how many free evenings you have between now and the cinema.
Greek Myth Retellings to Read After Circe
Finishing Circe leaves a very specific hole. Here are the Greek myth retellings that actually fill it, and the ones that only pretend to.
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Top 5 This Week
Thunderhead by Neal Shusterman: A Perfect World, Deliberately Annoying
There is no reason for the queue. No reason for the numbered ticket, or the intake officer who asks you to rate your annoyance from one to ten. The intelligence that runs the world confesses it built the inefficiency on purpose, because people who need something to defy deserve a system worth despising.
Thunderhead by Neal Shusterman: A Perfect World, Deliberately Annoying
There is no reason for the queue. No reason for the numbered ticket, or the intake officer who asks you to rate your annoyance from one to ten. The intelligence that runs the world confesses it built the inefficiency on purpose, because people who need something to defy deserve a system worth despising.
Scythe by Neal Shusterman
A saleswoman stands before three hundred licensed killers and pitches a poison. To close the deal she lets the buyer test it on her, live, in front of the room. She dies, the product works, and the Scythedom orders fifty vials from a corpse. That scene is four sentences long and it is the whole novel.
Brain Damage by Freida McFadden
A detective sits down beside a woman in a wheelchair and takes out a notebook and a pen with a red cap. He asks what she remembers about the night she was shot. She watches the red cap, because red is the colour her therapists use to show her where the world begins.
The Witch by Freida McFadden
An old woman sells herbs at the Woodhaven market in a dress of a yellow so vivid nobody else in town can manage it. She is the least dangerous person in the book and the first one hanged. The seventeenth-century half of this novel is far better than a mass-market thriller had any obligation to be.
Hollywood, Ending by John Green
In the back of a studio SUV, a publicist coaches a twenty-one-year-old on how to describe his costar to reporters. Ambitious is terrible. Careful is not great, but caring is wonderful. Beautiful is excellent, though he must not say it, only show it with his eyes. John Green's first adult novel begins where most Hollywood novels end.
Life Out of Order by Audrey Niffenegger
A widow sits alone in a dark museum gallery for three years because it is the only place she can cry unobserved. That room, not the time travel, is where this sequel actually lives. Niffenegger has come back to Chicago to write about what people do in the hours before somebody dies.
Artemis by Andy Weir
The dedication names seven astronauts nobody remembers: the Apollo command module pilots, who flew a quarter of a million miles and then waited in orbit while someone else got the footprints. Everything worth reading in this novel grows out of that page.
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Scythe by Neal Shusterman
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A saleswoman stands before three hundred licensed killers and pitches a poison. To close the deal she lets the buyer test it on her, live, in front of the room. She dies, the product works, and the Scythedom orders fifty vials from a corpse. That scene is four sentences long and it is the whole novel.
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Thunderhead by Neal Shusterman: A Perfect World, Deliberately Annoying
There is no reason for the queue. No reason for the numbered ticket, or the intake officer who asks you to rate your annoyance from one to ten. The intelligence that runs the world confesses it built the inefficiency on purpose, because people who need something to defy deserve a system worth despising.
Scythe by Neal Shusterman
A saleswoman stands before three hundred licensed killers and pitches a poison. To close the deal she lets the buyer test it on her, live, in front of the room. She dies, the product works, and the Scythedom orders fifty vials from a corpse. That scene is four sentences long and it is the whole novel.
Brain Damage by Freida McFadden
A detective sits down beside a woman in a wheelchair and takes out a notebook and a pen with a red cap. He asks what she remembers about the night she was shot. She watches the red cap, because red is the colour her therapists use to show her where the world begins.
The Witch by Freida McFadden
An old woman sells herbs at the Woodhaven market in a dress of a yellow so vivid nobody else in town can manage it. She is the least dangerous person in the book and the first one hanged. The seventeenth-century half of this novel is far better than a mass-market thriller had any obligation to be.
Hollywood, Ending by John Green
In the back of a studio SUV, a publicist coaches a twenty-one-year-old on how to describe his costar to reporters. Ambitious is terrible. Careful is not great, but caring is wonderful. Beautiful is excellent, though he must not say it, only show it with his eyes. John Green's first adult novel begins where most Hollywood novels end.
