Lisa Jewell returns to form with Don’t Let Him In, a psychological thriller that showcases her exceptional ability to weave multiple narratives into a cohesive and chilling portrait of manipulation. Following the success of novels like The Family Upstairs and None of This Is True, Jewell delivers another compelling exploration of how charismatic predators infiltrate ordinary lives, leaving devastation in their wake.
The novel centers around a man who operates under multiple identities—Nick Radcliffe to some, Alistair Grey to others, Jonathan Truscott, Damian, Simon Smith, and André to still more victims. This shape-shifting antagonist represents every woman’s nightmare: the perfect man who is, in reality, a perfect lie. Jewell’s portrayal of this character is both terrifying and fascinatingly complex, drawing from real-world cases of serial manipulators and bigamists.
A Kaleidoscope of Perspectives
Nina Swann: The Grieving Widow
Nina Swann emerges as one of Jewell’s most compelling protagonists. A year after her husband Paddy’s sudden death, she receives a condolence card from Nick Radcliffe, supposedly an old friend of her late husband. Jewell masterfully captures Nina’s vulnerability—not weakness, but the natural human need for connection after profound loss. Nina’s character feels authentic in her complex emotions: grief that hasn’t fully healed, unexpected attraction to Nick, and the guilt that accompanies moving forward.
The author’s depiction of Nina’s internal conflict is particularly striking. When Nick enters her life with his “smile that could melt the coldest heart,” Jewell doesn’t present Nina as foolishly naive. Instead, she shows how skilled manipulators exploit genuine human emotions and needs. Nina’s growing attachment to Nick feels earned rather than contrived, making her eventual realization of his true nature all the more impactful.
Martha: The Devoted Partner
Martha’s story provides perhaps the most heartbreaking thread in the narrative. For four years, she has built a life with the man she knows as Alistair Grey, believing in their shared dreams of expanding her flower shop business. Jewell excels in portraying Martha’s gradual awakening to the inconsistencies in her husband’s stories—the business trips that don’t quite add up, the phone calls that always seem to come at convenient moments, the explanations that are elaborate yet somehow insufficient.
The author’s handling of Martha’s psychological journey is particularly nuanced. Rather than presenting her as simply gullible, Jewell shows how abusers gradually normalize their deception, making victims question their own perceptions. Martha’s internal monologue reveals the cognitive dissonance of loving someone while simultaneously feeling that something is fundamentally wrong.
Ash: The Skeptical Daughter
Ash Swann serves as the story’s moral compass and investigative force. At twenty-six, still grieving her father’s death and struggling to find her place in the world, she becomes suspicious of Nick’s too-perfect persona. Jewell uses Ash’s character to explore themes of intuition versus evidence, and how outsiders can sometimes see what those emotionally invested cannot.
Ash’s determination to uncover the truth drives much of the plot’s momentum. Her character represents the voice of reason that many readers will identify with—the friend or family member who sees red flags that the victim cannot or will not acknowledge.
The Architecture of Deception
Jewell’s Narrative Structure
The novel’s strength lies significantly in its multi-perspective narrative structure. Jewell alternates between the viewpoints of the three main women and, most chillingly, the predator himself. These internal monologues from the antagonist are particularly effective, revealing the calculated nature of his manipulation while maintaining the mystery of his ultimate goals.
The pacing is expertly managed, with revelations doled out at precisely the right moments to maintain tension without frustrating readers. Jewell understands that in psychological thrillers, the “how” and “why” can be more compelling than the “what,” and she leverages this understanding masterfully.
The Realistic Portrait of Manipulation
What sets Don’t Let Him In apart from other domestic thrillers is its unflinching examination of how predators operate. The antagonist doesn’t rely on obvious threats or violence (though these elements appear later). Instead, he uses charm, apparent vulnerability, and the manipulation of genuine emotions. His multiple identities aren’t just plot devices—they represent the way abusers compartmentalize their lives and victims.
Jewell’s research into real cases of bigamy and serial manipulation is evident throughout. The details feel authentic: the way he maintains multiple phones, creates believable backstories, and exploits each woman’s specific vulnerabilities. His work as a male escort, revealed later in the novel, adds another layer of complexity to his character while explaining how he maintains his various deceptions.
Critical Analysis and Minor Shortcomings
Strengths That Elevate the Genre
The novel excels in several key areas that distinguish it from typical domestic thrillers. First, Jewell’s character development is exceptional. Each woman feels like a real person with genuine motivations, fears, and desires. The author avoids the trap of making her female characters either too naive or too perfect.
Second, the psychological realism sets this book apart. Jewell doesn’t ask readers to suspend disbelief about why smart women would fall for such obvious lies. Instead, she shows how skilled manipulators make their deceptions feel normal, even reasonable.
The resolution, while dramatic, feels earned rather than contrived. The confrontation at Bangate Cove brings together all the narrative threads in a way that provides both closure and justice, though not in the traditional sense.
Areas for Improvement
However, the novel isn’t without its weaknesses. The revelation of the antagonist’s past crimes, including suspected murders, feels somewhat rushed in the latter third of the book. While these escalating revelations serve to heighten the stakes, they occasionally strain credibility. The transition from charming manipulator to suspected killer, while not impossible, could have been developed more gradually.
Additionally, some of the supporting characters, particularly the other victims who appear in the final act, feel more like plot devices than fully realized people. Their stories, while important for showing the scope of the antagonist’s crimes, lack the depth and nuance of the main characters.
The ending, while satisfying on an emotional level, may disappoint readers seeking a more traditional form of justice. The antagonist’s fate, though fitting, denies closure to several victims and their families.
Comparison to Jewell’s Previous Works
Evolution of Jewell’s Style
Don’t Let Him In represents a maturation of themes Jewell has explored throughout her career. Like The Family Upstairs and Then She Was Gone, this novel examines how past trauma reverberates through present relationships. However, this book feels more focused in its exploration of these themes.
The novel shares DNA with Jewell’s earlier works but demonstrates a refined approach to suspense building. Where some of her previous novels occasionally felt overly complex in their plotting, Don’t Let Him In maintains a clear narrative thread while still delivering multiple surprises.
Place in the Contemporary Thriller Landscape
Within the broader context of psychological thrillers, Jewell’s work here stands alongside the best domestic suspense novels of recent years. It bears comparison to works by authors like Gillian Flynn and Paula Hawkins, but maintains Jewell’s distinctive voice and concerns.
The novel’s exploration of how predators exploit grief and loneliness feels particularly relevant in our current cultural moment, when online dating and social media make it easier than ever for manipulators to create false identities and exploit vulnerable people.
Themes and Social Commentary
The Nature of Trust and Vulnerability
At its core, Don’t Let Him In is about trust—how it’s built, exploited, and shattered. Jewell demonstrates how vulnerability, rather than being a weakness, is a fundamental human trait that predators weaponize. The novel suggests that the capacity to trust and love makes us human, but also makes us potential victims.
Grief and Moving Forward
The novel’s exploration of grief is particularly sophisticated. Through Nina’s character, Jewell shows how grief doesn’t follow a prescribed timeline and how the desire to move forward can make people vulnerable to exploitation. The book avoids simple answers about when it’s “appropriate” to move on after loss.
The Power of Women Supporting Women
One of the novel’s most hopeful themes is the power of women coming together to support each other. The formation of the Facebook group “DON’T LET HIM IN” and the eventual confrontation at Bangate Cove represent solidarity triumphing over isolation. Jewell suggests that predators rely on their victims’ shame and isolation, and that breaking this isolation is key to stopping them.
Technical Craft and Writing Quality
Jewell’s Prose Style
Jewell’s writing style in Don’t Let Him In is accessible without being simplistic. She has a gift for creating atmosphere and building tension through accumulating details rather than dramatic flourishes. Her dialogue feels natural and serves to advance both plot and character development.
The author’s ability to write convincingly from multiple perspectives, including that of the antagonist, demonstrates considerable skill. Each character has a distinct voice and worldview, making the shifts in perspective feel natural rather than jarring.
Pacing and Structure
The novel’s pacing is generally excellent, building tension steadily while providing enough revelations to keep readers engaged. The alternating perspectives create momentum and allow Jewell to reveal information strategically. However, the final act moves quite quickly, which, while exciting, occasionally feels rushed compared to the more deliberate pacing of the earlier sections.
Cultural Impact and Relevance
Reflecting Contemporary Concerns
Don’t Let Him In feels remarkably timely in its exploration of how technology enables deception. The antagonist’s use of multiple phones, dating apps, and social media to maintain his various identities reflects real-world concerns about online safety and authenticity.
The novel also engages with contemporary discussions about believing women and taking their concerns seriously. The police’s initial dismissal of stalking reports and the women’s need to gather evidence independently reflects ongoing issues with how the justice system handles crimes against women.
Educational Value
Beyond its entertainment value, the novel serves an educational function, helping readers understand the tactics used by manipulative predators. The detailed portrayal of grooming behaviors and emotional manipulation could help readers recognize similar patterns in their own lives or the lives of others.
Recommendations for Similar Reads
For Fans of Psychological Thrillers
Readers who enjoyed Don’t Let Him In would likely appreciate:
- The Silent Patient by Alex Michaelides – for its psychological complexity and unreliable narration
- Sharp Objects by Gillian Flynn – for its dark exploration of family secrets and manipulation
- In the Woods by Tana French – for its atmospheric writing and complex character development
- The Woman in the Window by A.J. Finn – for its unreliable narrator and domestic setting
- Big Little Lies by Liane Moriarty – for its exploration of domestic abuse and women’s relationships
Other Lisa Jewell Novels
For those new to Jewell’s work, excellent starting points include:
- None Of This Is True – her breakthrough psychological thriller
- The Family Upstairs – a complex family saga with dark secrets
- Watching You – a neighborhood thriller with multiple perspectives
Final Assessment
What Works
Don’t Let Him In succeeds as both entertainment and social commentary. Jewell has created a compelling thriller that doesn’t sacrifice character development for plot twists. The novel’s exploration of manipulation and abuse feels both realistic and educational, potentially helping readers recognize dangerous patterns in their own lives.
The book’s greatest strength lies in its authentic portrayal of how good people can become victims of skilled predators. Jewell avoids victim-blaming while still creating a suspenseful narrative that keeps readers engaged.
Minor Reservations
While the novel is largely successful, the escalation to suspected murder in the final act feels somewhat disconnected from the more psychologically grounded earlier sections. The resolution, while emotionally satisfying, may leave some readers wanting more traditional justice.
Additionally, the large cast of supporting victims in the final chapters, while important for showing the scope of the antagonist’s crimes, occasionally feels overwhelming and detracts from the more intimately developed main characters.
Conclusion
Don’t Let Him In represents Lisa Jewell at her considerable best, combining psychological insight with compelling storytelling. The novel works both as a page-turning thriller and as a thoughtful examination of trust, vulnerability, and the ways people exploit others’ genuine emotions.
While not perfect, the book succeeds in its primary goals: creating compelling characters, building genuine suspense, and exploring important themes about manipulation and abuse. It’s a worthy addition to Jewell’s impressive body of work and stands as one of the stronger psychological thrillers of recent years.
For readers seeking intelligent domestic suspense that respects both characters and audience, Don’t Let Him In delivers on multiple levels. It’s a book that will likely stay with readers long after they’ve finished the final page, both for its entertainment value and its insights into the darker aspects of human relationships.
The novel earns its place among the top tier of contemporary psychological thrillers, offering both the immediate pleasures of a well-crafted suspense story and the deeper satisfactions of serious fiction that grapples with complex human emotions and relationships.