Kelsie Sheridan Gonzalez’s debut novel, The Gods Time Forgot, attempts to weave together the rich tapestry of Irish mythology with the glittering backdrop of 1870s Manhattan. The premise is undeniably compelling: Rua awakens with no memories, believing herself to be Emma Harrington, a missing debutante from New York’s elite social circle. Yet beneath this amnesia lies a far more complex truth—she is Macha, one of the three MorrÃgan goddesses, torn between her immortal nature and a forbidden love that transcends time itself.
The novel’s foundation rests on the tragic Irish legend of Cú Chulainn and his doomed relationship with Macha. Gonzalez reimagines this ancient tale in nineteenth-century New York, where Finn, the Lord of Donore, represents the reincarnated hero, and Rua must navigate both her lost memories and the rigid expectations of Gilded Age society.
A Story Caught Between Two Worlds
The narrative structure of The Gods Time Forgot mirrors its protagonist’s fractured state of mind. Gonzalez employs a dual timeline approach, gradually revealing Rua’s true identity through recovered memories while maintaining tension in the present-day romance. This technique works particularly well in the first half of the novel, creating genuine intrigue around Rua’s mysterious circumstances and her uncanny connection to Finn.
The historical setting of 1870s Manhattan provides a sumptuous backdrop, with Gonzalez demonstrating careful attention to period details. The Harrington mansion’s marble foyer, the strictures of society life, and the contrast between Fifth Avenue opulence and the grittier neighborhoods create an authentic sense of place. The author’s descriptions of whalebone corsets, elaborate gowns, and the social machinations of the wealthy elite effectively transport readers to this era of American excess.
However, the novel struggles with pacing issues that become increasingly apparent as the story progresses. The central mystery of Rua’s identity is resolved relatively early, leaving the remainder of the book to focus on the romantic relationship and the looming threat of Badb, Rua’s vengeful sister goddess. This shift creates an imbalance that the narrative never quite recovers from.
Characters Wrestling with Divine and Human Nature
Rua emerges as a complex protagonist, caught between her divine nature and human desires. Gonzalez effectively portrays her confusion and frustration as memories slowly return, revealing the terrible burden of her past actions. The weight of having killed her beloved Cú Chulainn in their previous incarnation creates genuine emotional depth and internal conflict.
Finn, while charming and well-intentioned, suffers from a lack of agency throughout much of the story. His character development feels somewhat stunted, particularly in comparison to Rua’s dramatic arc. The revelation of his true identity as Cú Chulainn comes late in the narrative, leaving little time to explore the implications of this discovery or his emotional response to learning about their tragic history.
The supporting cast provides mixed results. Flossie Harrington serves as an effective antagonist representing the suffocating nature of high society, while Mara, the Irish maid with her own connection to the mystical world, offers interesting commentary on class and devotion. However, some secondary characters feel underdeveloped, particularly Annette, Finn’s fiancée, who remains largely a plot device rather than a fully realized person.
Mythology Meets Romance: An Ambitious Blend
Gonzalez’s integration of Irish mythology deserves particular attention. The MorrÃgan sisters—Macha, Badb, and Nemain—are portrayed with complexity that goes beyond simple good and evil categorizations. Badb’s manipulative nature and Nemain’s conflicted loyalty create a family dynamic that feels authentically divine in its dysfunction. The concept of hellmouths connecting different realms and the significance of ancient feast days like Samhain add layers of mystical intrigue.
The romantic elements of the story provide both the novel’s greatest strengths and most noticeable weaknesses. The chemistry between Rua and Finn feels genuine when they’re together, with Gonzalez crafting several memorable intimate scenes that capture both passion and tenderness. Their shared moments in the library and their eventual reunion carry real emotional weight.
Yet the romance often feels overshadowed by the mythological plot requirements. The necessity of having Finn choose between Rua and Annette, while dramatically necessary, creates artificial barriers that sometimes feel contrived rather than organic to character development.
Writing Style and Technical Execution
Gonzalez demonstrates a confident prose style that effectively captures both the formality of nineteenth-century speech patterns and the internal voice of her immortal protagonist. Her descriptions are generally well-crafted, particularly when dealing with sensory details and emotional states. The author shows particular skill in writing intimate scenes that balance passion with character development.
However, the novel suffers from some structural issues that impact its overall effectiveness. The revelation of Rua’s true nature comes perhaps too early, reducing some of the mystery that initially drives the narrative. Additionally, certain plot threads—such as the fate of the real Emma Harrington—feel rushed or inadequately explored.
The ending, while providing closure for the central romance, leaves several questions unanswered about the broader implications of the characters’ choices and the ongoing conflict with Badb. This incompleteness may be intentional, setting up potential future installments, but it diminishes the satisfaction of this particular story’s conclusion.
Similar Reads and Context
Readers who enjoyed The Gods Time Forgot might find satisfaction in Diana Gabaldon’s Outlander series, which similarly blends historical settings with supernatural elements and passionate romance. Stephanie Meyer’s The Host offers another perspective on identity confusion and forbidden love, while Jennifer Saint’s Hera provides a different approach to retelling ancient myths through a feminist lens.
For those interested in Irish mythology specifically, Morgan Llywelyn’s Red Branch offers a more traditional retelling of the Cú Chulainn legends, while Juliet Marillier’s Sevenwaters series explores Celtic folklore with similar depth and complexity.
Final Verdict: Ambitious but Uneven
The Gods Time Forgot represents an ambitious debut that succeeds in several important areas while falling short in others. Gonzalez demonstrates real talent for character development, atmospheric writing, and the integration of mythological elements into contemporary narrative structures. The central premise is compelling, and the emotional core of the story—exploring love, betrayal, and redemption across lifetimes—resonates strongly.
However, pacing issues, uneven character development for secondary figures, and structural problems prevent the novel from achieving its full potential. The book feels caught between being a historical romance and a fantasy adventure, never quite committing fully to either genre’s conventions.
Despite these limitations, The Gods Time Forgot offers enough compelling elements to satisfy readers looking for something different in the crowded romantasy market. Gonzalez shows promise as a storyteller, and her unique blend of Irish mythology with Gilded Age glamour creates a distinctive reading experience.
For readers willing to overlook some technical shortcomings in favor of an original premise and engaging characters, this debut novel provides an entertaining escape into a world where ancient gods navigate the complexities of mortal love and divine obligation. While not perfect, it establishes Gonzalez as an author worth watching for future developments in her storytelling craft.