In her sophomore novel Woo Woo, Australian author Ella Baxter crafts an experimental narrative that blends conceptual art, stalker thriller, and meditation on creative identity. The story follows Sabine, a performance artist preparing for a pivotal exhibition while grappling with an increasingly threatening stalker, a distant husband, and her own spiraling mental state. As pressure mounts, Sabine receives guidance from an unlikely mentor – the ghost of feminist performance artist Carolee Schneemann – while documenting her unraveling on TikTok for an eager audience.
Strengths: Where the Novel Shines
Baxter demonstrates remarkable skill in several areas:
Visceral Prose: The author’s background as a visual artist shines through in her vivid, tactile descriptions. Whether detailing Sabine’s elaborate puppet costumes or her primal transformation into a pig-woman, Baxter’s prose pulses with sensory detail and artistic vision.
Experimental Structure: The novel’s fragmented structure, with chapters titled after famous artworks, mirrors Sabine’s fractured mental state while creating an innovative framework for exploring themes of performance, authenticity, and female rage.
Contemporary Resonance: Through Sabine’s social media presence and complex relationship with her audience, Baxter astutely captures the peculiar pressures of being an artist in the digital age, where the line between performance and reality increasingly blurs.
Areas for Improvement
However, the novel struggles in several key aspects:
Plot Coherence: The surreal elements, while initially intriguing, sometimes overwhelm the narrative. The ghost of Carolee Schneemann, while conceptually interesting, often delivers wisdom that feels forced or superficial.
Character Development: Constantine, Sabine’s husband, remains frustratingly opaque, while supporting characters like Ruth and Lou feel more like plot devices than fully realized individuals.
Thematic Focus: The novel’s exploration of artistic identity, while passionate, occasionally becomes repetitive and self-indulgent, particularly in Sabine’s lengthy internal monologues about the nature of art.
Writing Style and Tone
Baxter’s prose is distinctively bold and experimental, marked by:
- Stream-of-consciousness passages that capture Sabine’s mounting anxiety
- Sharp dialogue that effectively conveys relationship dynamics
- Rich metaphorical language that sometimes borders on excessive
- A darkly humorous undercurrent that provides welcome relief from the intensity
Comparative Context
Woo Woo by Ella Baxter shares DNA with other contemporary works exploring female artistry and obsession, such as Ottessa Moshfegh’s My Year of Rest and Relaxation and Patricia Lockwood’s No One Is Talking About This. Like Baxter’s debut novel New Animal, it demonstrates her fascination with women pushing against societal constraints through extreme behavior.
Critical Analysis
The novel’s greatest strength lies in its unflinching portrayal of female rage and creative frustration. Sabine’s transformation from anxious artist to primal force feels both cathartic and earned. However, the story’s resolution, involving a confrontation with her stalker that blends performance art with violent fantasy, may strike some readers as either brilliant or bewildering.
Baxter’s treatment of social media and online performance is particularly nuanced. Rather than taking an obvious critical stance, she explores how digital platforms can both amplify and fragment artistic identity.
Target Audience
This novel will particularly appeal to:
- Readers interested in contemporary experimental fiction
- Art world enthusiasts and practitioners
- Fans of feminist literature exploring themes of identity and power
- Those who appreciate dark humor and surreal elements in their fiction
Impact and Relevance
While Woo Woo may not achieve everything it attempts, its ambition and originality are undeniable. The novel raises important questions about:
- The relationship between art and authenticity
- Female rage and its expression through creativity
- The impact of social media on artistic identity
- The blurring of performance and reality in contemporary life
Final Verdict
Woo Woo by Ella Baxter is an ambitious and occasionally brilliant exploration of artistic identity and female rage that sometimes gets lost in its own experimentation. While not every reader will connect with its more surreal elements, those willing to embrace its peculiarities will find a thought-provoking meditation on art, performance, and authenticity in the digital age.
Who Should Read It
- Fans of experimental literary fiction
- Readers interested in contemporary art and performance
- Those who enjoy novels exploring female identity and power
- Admirers of surreal and darkly humorous narratives
Who Should Skip It
- Readers preferring traditional narrative structures
- Those seeking straightforward character development
- Anyone adverse to experimental prose styles
- Readers uncomfortable with dark themes and content
Despite its flaws, Woo Woo marks Ella Baxter as a distinctive voice in contemporary literature, one willing to push boundaries and challenge conventions in service of exploring urgent questions about art, identity, and power in the modern world.